Featured Exhibitions:

hush-hush

Solo B.F.A. Culminating Exhibition

B-So Gallery, Chico CA.

This exhibition reflects on the hidden textures of human experience through materials designed to conceal: joint compound and house paint. These materials are sourced from gallery maintenance, merging my dual roles as an artist and curator. I layer these materials on panels, building an image on the surface and obscuring it over time. I sand the accumulation of material down to create a smooth surface and reveal the work underneath—a ghostly imprint of everything that came before. 

The physical process of making my art mirrors the emotional labor of daily life. Like the layers of joint compound, we shape and obscure parts of ourselves: the moments, memories, and emotional residues that don't quite make it to the surface but are no less integral to who we are. The expressive shapes that emerge with the subtle shifts in color between the painted layers and the layers of the raw material reveal the fractured aspects of personality we choose to show, and what we choose to hide.

By focusing on what is typically unseen or unacknowledged, I invite the viewer to consider the emotional and psychological labor involved in maintaining appearances, and how the layers we choose to obscure shape our understanding of ourselves. The tension between what is visible and what is concealed is a point of reflection of the personal narratives we construct. 

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California State University, Chico

Department of Art & Art History Faculty & Staff Exhibition

Jacki Headley University Art Gallery, Chico CA

I proposed this show to the chair of the Art Department at Chico State, Rachel Middleman, with the goal of my peers and I to have to opportunity to view our professors’ work in a way that would bridge the concepts we learn in classes every day to real life application. After a year of convincing and immense support from the faculty; the director of the galleries, Rachel Skokowski, made time in the schedule for the exhibition. Over summer 2025, Skokowski and I visited the studios of the faculty and had conversations with them about what they’ve been working on and selected what work should be in the exhibition.

Faculty exhibitions serve as a vital bridge between educators and students within academic institutions. These shows offer students an invaluable opportunity to understand their professors not just as mentors and teachers, but as working artists and thinkers. By engaging directly with the artwork of faculty, students gain insight into the ideas, practices, and philosophies that inform their instructors’ creative lives; insight that deepens the educational relationship and contextualizes the learning experience.

For students, this show becomes a blueprint of what it means to think like a contemporary artist. It reveals that art is not merely about a final product, but about asking questions, seeking answers and understanding through medium, form, and material. It demonstrates that study is not a linear path, but a layered, rich terrain that cultivates not just skilled makers, but thoughtful, curious, lifelong learners.

Summer Armstrong*, David Barta*, Katie Bradley*, Scott Bryson*, Adria Davis, Kijeong Jeon*, Trevor Lalaguna, Sangmin Lee, Eileen Macdonald*, Brian McNamara, Nancy Meyer, Rouben Mohiuddin*, Michelle Ott, Jerome Pouwels*, Dillon Rapp, Lauren Ruth*, Rebecca Shelly*, Shiyuan Xu*, Kensuke Yamada*

Participating Faculty:

Artists marked with * have work shown in the installation picture above.